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  • Fan Mail

    I often get email from high school and college students who suddenly want to become professional photographers. It's been amazing to me that the majority of them can not write a grammatically-correct sentence, much less run a spell-checker before clicking "Send"!

     It seems that they stumble upon my website, say "Oh wow, that's awesome! I want 'ta do that!", and then scribble out an email as if they are Twittering a friend. It's flattering to my ego but sad.

    Here's a sentence from a recent email: "I am also wondering how long have you started your own photography and if you can, please send me some more information on your photographys."

    My "photographys"? What is that exactly? How long have I "started"? Umm.... once? Or are you implying that I'm not past the starting point yet? That sentence was from a college student. The rest of the email was not any better, and I didn't know by the end of the email if she wanted to become a model, a photographer, or both.

    One other thing that I see constantly, "I" should be capitalized! "i" by itself is not a word. It's a letter!

    I've helped many people over the years by giving advice and pointing them in the right direction, but for any student listening realize first and foremost that professional photography is a business! Act professional and write professional. I don't want to waste my time replying to someone who seems to be bored and wasting their own time. 

    From now on I'm going to start doing what I recently read Lou Jones say in a magazine article. He replies to inquires and tells students to email him back on a specific date at a specific time, say two weeks away. I believe he claimed that the technique eliminates 80-90% of the people. The majority have probably forgotten all about their new-found calling by then, and the rest are likely to be sincerely interested.

    For anyone reading who falls in the later category, the best advice I can give is realize that there is not a shortage of highly creative people in the world. There are thousands upon thousands of them. And unless you restrict yourself to a small, local market and never desire to grow beyond that for the rest of your left, you will be competing with ALL of them. Today the internet makes it easy to sell your goods and services to anyone in the world. The trade-off is that you are now competing with everyone else in the world.

    Being creative is not enough. Your talents are useless in less you have extensive technical skill to bring to life whatever you can imagine and consistently at will. Any amateur can randomly create spectacular photographs, being able to do so at will whenever called to do is a large part of being a professional. Technical skill includes equipment knowledge and selection, lighting, operating in diverse environments, and extensive computer skills in the digital darkroom (among many, many other things). Plus, you'll need to know about business and marketing.

    I would advise any student to take as many, if not more, classes in business and information technology than in photography. In fact, I would strongly suggest a college major in business with a double-major in information technology or computer science (or a minor at a minimum) and then follow that up by going to one of the top photography schools in the country.

    Finally, if you are not willing to spend the rest of your life constantly learning, then don't even bother! The pace at which things changed during your grandfather's time was significantly more than in your great-grandfather's time. The pace at which things have changed in your parents' lifetime far exceeds that of your grandparents. The rate of change in your lifetime will be more than you could ever image. The rate of change, of change itself, is ever increasing at an exponential rate. Likewise, the rate at which entire businesses, business models, and people's skillsets become obsolete is ever increasing. Plan for it.

    If none of the above deters you, then go for it!

    Category: Philosophy 2 Comments »
  • Merry Christmas!

    Merry Christmas to you and your family,
    Terry

    Red Christmas bow on a lamp post in the French Quarter of New Orleans, Louisiana. Copyright Terry Smith. All Rights Reserved.
    Red Christmas bow on a lamp post in the French Quarter of New Orleans, Louisiana
    Category: New Orleans 0 Comments »
  • “Race to the Cure” Concept Photography and Illustration Released

    New stuff! This press release (PDF available here) was sent out this morning concerning our new, and ongoing, image collection:

    Imagine if you were an artist, how would you illustrate curing AIDS? Or depict finding an antidote to breast cancer? In the Race to the Cure series of concept photography and illustration Terry Smith Images does just that.

    A single drop of antidote, within it a checkered flag, clings to the tip of a hypodermic needle. The race is over. We win. Humanity wins. That is the first photograph in this new series of photography and illustration.

    “Our conceptualization of this theme is a completely new and original approach,” says artist-owner Terry Smith. When asked about what his goals are with this new work Terry adds, “What more could we hope for than the use of these images in publications and advertising raising awareness, potentially inspiring donors and scientists alike, and ultimately, in the smallest aspect, contributing to a self-fulfilling prophecy.” Terry says that the images within the Race to the Cure collection will continue to grow over time. “Our ability to produce both photography and illustration focused on a single theme provides unique value to our image buyers. It’s something we will continue to expand upon with this series and with more topics in the future.”

    For more information about the Race to the Cure collection please visit the Race to the Cure gallery

    Category: Concept Photography 0 Comments »
  • Cleaning Out The Film Fridge

    Long, long ago... before the digital era... photography was done with film. (If you don't know what it is, just play along. It would take too long to explain.)

    Photographers used to store their film in a refrigerator (device for keeping things cool), typically with the film in plastic containers enclosed inside two zip-lock bags to keep out moisture. I was one of those people. In fact, until last night I still was. I had a whole drawer of my refrigerator dedicated to film.

    However, with this new day a new era has dawned on, and inside of, my refrigerator. (Excuse me, I'm married now, our refrigerator.)

    The negative film I will keep as I still keep a device that uses the ancient material in my truck for photo emergencies. The slide film.... Mmmm? Anybody want to buy it? I might put it on eBay or something.

    For future historians and biographers of my life, here is a tally of my final film inventory:

    • 4 rolls of Kodak Gold 200 ISO 24 exp. negative film
    • 2 rolls of Kodak High Definition 200 ISO 24 exp. negative film
    • 1 roll of Fuji Superia 400 ISO 24 exp. negative film
    • 1 roll of Fuji Super HQ 200 ISO 24 exp. negative film
    • 3 rolls of Fuji Sensia 100 ISO 36 exp. slide film
    • 1 roll of Fuji Velvia 50 ISO 36 exp. slide film
    • 1 roll of Fuji Provio 400F 36 exp. slide film
    • 1 roll of Kodak T-MAX 100 ISO 120 format negative film

    Historians should also note that the above list is not entirely reflective of my film-era shooting tastes. I greatly preferred Fuji Velvia and Provia during that era.

    Category: Gear 1 Comments »
  • Lightroom 3 Public Beta

    The Lightroom 3 public beta is out and D-65 has a preview of it for those of us who don't want to install the buggy beta on our own machines:

    http://www.d65.com/lightroom3_beta.pdf

    Category: Equipment and Reviews 0 Comments »
  • Band Album Art For Sale

    Know a band that needs cover artwork for their album?

    Send them to the Pixel Exhilaration Collection!

    Pixel Exhilaration is a premier collection of digital consciousness forged into artistry. These eye-grabbing and exhilarating special effects images are ideally suited for advertisement backgrounds, CD and DVD covers, book and magazine covers, and anywhere "ordinary" simply is not acceptable.


    The Pixel Exhilaration Abstracts Collection
    Category: Illustration 0 Comments »
  • My Wife Jennifer

    Here is a shot of my beautiful wife from a recent shoot. Normally she never, ever, under any circumstances allows me photograph her. (Yes, even though she is married to a photographer.) But on this particular day she was having one of her brain spasms which, though not unusual, were affecting a different part of her corpus callosum resulting in out-of-character behavior.
    Jennifer Smith. Copyright Terry Smith. All Rights Reserved.
    This shot was lit with a classic clam shell lighting technique with one Nikon Speedlight fired through a white umbrella on top and another speedlight and umbrella on bottom. Look at the highlights in her eyes and you can see the top and bottom lighting pattern.
    Category: People & Lifestyle 0 Comments »
  • Nikon D300s Menu Settings and Thoughts

    My final image tally for my recent trip to Europe was 3,290, nearly all of which were shot with the new Nikon D300s. Maybe about 200 to 300 were shot with the Nikon D200 when I was carrying two camera bodies around.

    After running it through its paces, I love this camera. It was definitely worth the investment. Everyone has talked about shooting at high ISOs with the D300 and D700, so I was eager to test out the D300s and wasn't disappointed. It really, really performs, especially when shooting at night. While I normally would not think of shooting at night without a tripod (and I did carry one around for some night shots), I also shot some night scenes of cafes in Paris hand-held at 800 ISO and you can zoom in at 100% and not even tell they were shot hand-held or at such a high ISO! Granted, I did shoot on continuous high mode where I was bursting off 7 or 8 shots at a time within a second or two. It was hand-held after all! But the frames that were sharp, and I only need one from each scene, are really, really sharp and generally noise-free.

    I only started shooting HD video later in the trip. Frankly, I haven't gotten in the habit of shooting video yet. I need practice just to remind myself to do it! On our last night in Paris my wife and I walked from Rue Cler over to the Eiffel Tower, and ran into a big college party (so it seemed) of people on Champ de Mars including a very good Michael Jackson impersonator. I shot touristy video of it at 800 ISO, and it's actually very good. Not cinema quality of course, and the audio is poor (you can purchase in a high-end microphone to plug into the camera though) but given that the only lights available were street lights and the light coming from the Eiffel Tower it's pretty impressive that it was able to capture the moment.

    Here are my custom menu settings for the Nikon D300s. Please post a comment if you have any questions about them.

    Playback Menu

    • Basic photo info - Highlighted all of the following: Focus point, Highlights, RGB histogram, Data

    Shooting Menu

    The D300s has four different banks (i.e. sets of memory settings) of shooting options: A, B, C, and D. The settings below are for the A bank. You can also give each bank a name which is really cool! I've named A "TSI Primay". These are my customizations for that bank:

    • File Naming - By default files are saved as "DSC_*" for sRGB and "_DSC*" for Adobe RGB. Part of my workflow is to rename all my files after editing; however, since the D300s gives you the option of imputting your own three letters instead of "DSC" I put in "TSI" anyway. It can't hurt.
    • Image Quality - RAW
    • NEF (RAW) Bit Depth - Options are 12-bit (defalut) or 14-bit. From the manual:
      NEF (RAW) images are recorded at a bit-depth of 14 bits, producing files roughly 1.3 times larger than 12-bit files but increasing the color data recorded. Maximum frame advance rate falls to 2.5 fps. (emphasis added)

      What's difference in tones? 12-bit produces 4,096 tones and 14-bit produces 16,384 tones. That's a slight difference!

      I've kept my set to 12-bit for now, because I want to burst off frames as fast as possible on a tenth-of-a-second's notice. However, I plan to experiment with the 14-bit option whenever I'm shooting landscapes in the future.

    • Color space - Adobe RGB - Always use this. The gamat of colors is much wider than sRGB.
    • Movie settings - Quality - 1280x720 - Have have an HD camera if you don't keep it set on HD mode?
    • Movie settings - Destination - SD card slot - I put all my movies on an SD card. This keeps 'em separated. Images on CF and movies on SD. This way when I import my pictures with Lightroom I don't have to go manually copy movies off the card.

    Custom Setting Menu

    • a: Autofocus
      • a9: Built-in AF-assist Illuminator - Off - As a travel photographer I don't want the headlight on the front of the camera to come on when I'm photographing, especially in places like museums or subways. I also keep this off because I've had the light come on in the past when shooting wildlife photography.
    • b: Metering/exposure - No changes
    • c: Timers/AE lock - No changes
    • d: Shooting/display
      • d1: Beep - Off!
      • d2: Viewfinder grid display - On
    • e: Bracketing/flash
      • e1: Flash Sync Speed - 1/320s (Auto FP) - There is no reason not to select this as long as you are using Nikon speedlights.
      • e2: Flash Shutter Speed - From the manual:
        This option determines the slowest shutter speed available when using front- or rear-curtain sync or red-eye reduction in programmed auto or aperature-priority auto exposure modes...
        It defaults to 1/60s! I set this to the max, 30 seconds. If I want to use a really long exposure and then let rear-curtain sync freeze the action, then I don't want this setting slowing me down. Note that when you're in shutter-priority this setting is by-passed anyway; however, I usually shoot in aperture-priority and I don't want to have to think about switching modes when doing a blurred motion shot.
      • e3: Flash Cntrl for Built-in Flash - I normally keep this in TTL mode; however to setup the camera I put it in Commander mode and set it to channel 3 and then set it back to TTL. I often using an SB-600 as one of my off-camera flashes, and the camera must be on channel 3 in order to fire the SB-600 remotely. Also, while I'm in there I change the built-in flash from "TTL" to "---". This turns it off so that it is acting only as a commander and not as a flash.
      • e7: Bracketing order - I change this "Under > MTR > over". It's more logical to me than "MTR > under > over" and also when editing the shots in Lightroom I want to see the exposures in natural, progressive exposure compensation order.
    • f: Controls
      • f1: (Light bulb icon) Switch - This setting is new to me. By default with any Nikon DSLR when you rotate the power switch to the light bulb position it illuminates the control panel. This setting allows you to also have it display shooting information on the monitor. It sounds cool for photographing at night. I also often find myself with the camera raised on a tripod so high that I can't see the control panel. This should help resolve that problem as well.
      • f2: Multi-selector Center Button - Playback Mode: View histograms - GREAT SETTING! - By default when you're in playback mode viewing your images, if you press the center button on the multi-selector it puts you in thumbnail mode. This is stupid because you could just press the Thumbnail button on the other side of the LCD to achieve the same effect. However, what is COOL is that you can set it to display a very large histogram overlaid on top of your image instead! Press to display histogram to check your exposure. Release to have it go away!
      • f5: Assign Fn button - FV lock - You should set this to something! Because by default it is set to do nothing. I set it to "FV lock" which locks the last recorded flash value until the button is pressed again. I've taken this tip from Joe McNally's The Hot Shoe Diaries, page 23, where is says:
        But, if you wanna get brass tacks about your flash output, and you make a frame you really like, and the value is dead bang on, a good move is to program the function button so that with a middle finger tap, you enable flash value (FV) lock. Tap the button, and the flash will no longer shift in output. It will stay locked, right there, until you tap the button again. ... FV lock quenches the pre-flash. With FV lock enabled, you get one flash--the exposure-making flash--and that's it.
        The advantage of shutting-out the pre-flash is that some people's eyelids will shut in between the milliseconds of the pre-flash firing and the flash going off.
      • f7: Assign AE-AF-L button - I change this setting from "AE/AF lock" to "AE lock only". I want the button to do one thing only. I can lock the focus when I want by keeping the shutter button half-pressed. I don't need the button to do that for me. If I meter a scene and then recompose, especially when spot metering, I want to be able to press this button to lock only the exposure and then recompose, refocus if needed, and then take the shot. As soon as I let up off the button, the locked-in exposure goes away and the meter is re-exposing again. This setting is very important for how I work with the camera.
      • f10: No memory card? - CHANGE THIS SETTING!!! It defaults to "OK: Enable release" which allows you to fire the shutter with no memory card in the camera! I've tested it, and it at least shows the image on LCD after every shot with "DEMO" in red in the upper left corner. Even still, I don't want to take the chance. Plus, if a family member picks up your camera to photograph the dog are they going to know it's not really taking pictures? Set it to "LOCK: Release locked".

    Setup Menu

    • Time zone and date - Obviously, set this.
    • Image comment - I used to put my copyright information in this field automatically on every shot, but now that be set with a separate setting, see below. In the comment field I put my domain name and Google Voice phone number. (I'm now using a Google Voice number as my business number. In theory, it will act similar to a domain name in that I can redirect it in the future to different cell and office numbers as those numbers change in the future.) Be sure to check mark "Attach comment" and then select Done in order for the comment to be written to every image.
    • Battery info - Nothing to change here, but view this screen as it's really neat and useful.
    • Copyright Information - SET THIS ON YOUR CAMERA!!!! - There are separate text fields for Artist and Copyright. I set artist to "Terry Smith Images" and copyright to "Copyright Terry Smith". Be sure to check mark "Attach copyright information" and then select Done and press OK.
    • Virtual horizon - A built-in level! There's nothing to change here, but look at the screen and get familiar with it because it's neat.

    Retouch Menu

    • Cameras are optimized for taking pictures. Image processing software is optimized for editing software. Don't modify your pictures in the camera.

    My Menu

    This is worth doing. Customize your own menu by adding in the things you change the most. Here's what is in my My Menu:

    • e3 Flash cntrl for built-in flash - Allows me to quickly change the built-in between TTL and Commander modes (or Manual or Repeating flash).
    • Commander mode - This is neat. You can add the submenu of the above setting to your My Menu as well. This allows me to go straight into the Commander menu and set the exposure compensation for Group A and Group B when working with off-camera flashes, something I do VERY FREQUENTLY. It's great to have a short-cut for it.
    • c3 Self-timer - Shortcut for changing the length of the timer: 2s, 5s, 10s, or 20s.
    • Multiple exposure - Shortcut to multiple exposure mode.
    Category: Cameras 1 Comments »
  • Back from Europe

    My wife and I just got back from a vacation in London and Paris. While not a travel photography business-paid-for trip, I still managed to take 3,300+ pictures which is fairly typical for me for one week of travel. That still includes plenty of "dead time" where I wasn't taking pictures, i.e. spending "quality time" with Jennifer, celebrating her birthday, etc. :-)

    However... it took us 36+ hours (possibly over 40 but I don't want to count) to fly home from Paris. It was an absolute, miserable disaster. I may blog about it soon, but for now I just want to forget about it altogether.

    Thanks to everyone who has sent emails and posted blog and Facebook comments over the past week. We had sporadic Wi-Fi access, but I'll try to respond to everyone soon.

    Category: 0 Comments »
  • Picture of Azaleas on the grounds of the U.S. Capitol in Washington DC

    Azaleas on the grounds of the U.S. Capitol in Washington D.C. Copyright Terry Smith. All Rights Reserved.
    Azaleas on the grounds of the U.S. Capitol in Washington D.C.
    Category: Washington D.C. 1 Comments »
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Terry Smith is a professional photographer in Little Rock, Arkansas whose work is widely licensed as stock photography by a diverse mix of commercial, publishing, and editorial clients.
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