Monday, August 31, 2009
Hit Man
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Sunday, August 30, 2009New Orleans French Market Window
Saturday, August 29, 2009Concept Image
Thursday, August 27, 2009Media Phone Book
I ran across the Media Phone Book wiki site today which bills itself as "...the best place on the web for photographers to exchange information about media companies. The primary use for this wiki is for Media Companies to tell photographers the best way to contact them and for photographers to exchange contact information.".
The list is very small, but I've verified that the information provided for magazines that I have worked with is accurate. Presumably the rest is as well. The site has a good list of freelance photo editors. Labels: Marketing
MIRA's August 2009 Lightbox
MIRA's August 2009 Lightbox sent out to art buyers features this recent image of mine from Hawaii:
![]() Labels: Hawaii Photography
Tuesday, August 25, 2009New Profoto ComPact 300R's
My new Profoto lights came in today! I got a kit of two 300 ws Profoto monolights with reflectors, tripods, and a case. Best of all, the "R" in the model name means they're radio-enabled with built-in 32-channel PocketWizards.
Here is a play-by-play on the unwrapping ceremony: ![]() ![]() ![]() ![]() ![]() ![]() ![]() I got a great deal on these. Relatively speaking, they were cheap compared to list price. In percentage terms relative to my capital expenditure budget, they definitely were NOT cheap! I've been shopping all year though for a set of monolights. Profoto has the very best reputation but also the highest prices of anyone. This is a very entry-level set, but I could at least afford them. Bowens is coming out with a new line of monolights that I nearly bought, but they've just been too slow to market. You have to buy add-on cards for them as well for the PocketWizard receivers. Other manufacturer's have similar offerings. While I could have gotten more watt/seconds per dollar with another brand, paying extra on top of that for the PocketWizards made this kit come out to a decent deal. Now I just need to make some pictures to recoup the cost and then start making money with it. (It's good to have goals.) So far I'm extremely impressed with Profoto except for the tripods that came with the kit. They work, to some degree. That's the only good thing I can say about them. Can you believe they didn't even ship air-cushioned light stands with these heavy monolights? Nope. When the light is raised to 6+ feet it gets very wobbly as well. My Impact light stands are air-cushioned and of much better quality than what Profoto shipped. I'll probably put the Impact stands in the Profoto case and use the others for my Nikon Speedlights. Lights, camera, action! ![]() Labels: lighting
Thursday, August 20, 2009Health Care Red Pill
I'm hoping the brochures issued to every single American on the new health care plans will have this picture on the cover. If you know anyone in D.C., tell them I'll make the government a GREAT deal on the license for a few million copies. Maybe $1 each?
![]() Labels: concept photography
Wednesday, August 19, 2009Bambi
I recently shot Bambi:
![]() His/her mother kept showing her fluffy white tail and saying, "Danger! Danger! Strange man with camera!", but Bambi was very hungry and kept eating and eating and eating. This plant was apparently quite tasty. Labels: Arkansas Photography
LR/Enfuse Thoughts
Recently I blogged about using the LR/Enfuse plug-in to automatically combine multiple exposures of a scene to create a "realistic HDR" look. It actually seems to be a very hit or miss thing, and I've yet to find any definite pattern as to what works and what doesn't work. Within Lightroom you can group all of your HDR sequences into stacks and then have Enfuse process all of them into 16-bit TIFFs in batch mode. Today I pointed it to 52 such stacks, 265 photos in all, all shot on one day from my D.C. stock photography trip this past spring. Then I went away for awhile... Out of the 52 resulting images, none are worth keeping. They all look hideous. I'll do them manually in Photoshop instead.
Labels: Product Reviews
Morning coffee with the dog, Devil's Den State Park, Arkansas
This was undoubtedly the best shot from this past weekend's shoot at Devil's Den State Park. Thanks goes to my wife for helping make this happen.
![]() For the photographers out there, the warm window light is not actually coming from inside the cabin. An SB600 and SB600 with two shoot-through umbrellas are camera left, both gelled with 1 CTO each to give it that warm tone. A tiny bit of the warm light made it's way to the deck chair and the male model, but not much. I would liked to have lit the couple more, but we were working fast. My wife literally saw them sitting there in this beautiful scene, and they were gracious enough to let us intrude for just 5 minutes into their vacation. We moved the lights from the next door cabin we had been shooting at, setup, shot, and moved out in five minutes. Labels: Arkansas Photography
Tuesday, August 18, 2009Devil's Den State Park Photography
Jennifer took this picture of me last Saturday morning when we were at Devil's Den State Park:
![]() After all the must have shots were in the bag, I spent some time experimenting with my camera on a painter's pole setup which allows me to raise the camera about 5' above my head. I may get a longer painter's pole eventually, but for now this will do. I purchased it at a yard sale several years back for practically nothing. In this shot below I'm configuring the camera, not taking a picture: ![]() I plan to post a video on this soon, but the basic setup is a Bogen Super Clamp with a Manfrotto 056 junior head. B&H sells this combo as a kit for, at the time of this writing, only $66.50. You can clamp your camera into a lot of strange places for $66.50! :-) It's a great deal. I use the Phottix Plato 2.4GHz wireless set from Hong Kong purchased off of eBay to fire the camera wirelessly while I hold the pole over my head. Just in case, I drilled a hole through the painter's pole and tied on a string with a small metal clamp on the end which I attach to the camera as a safety cable. ![]() The assembled contraption allow me to be downhill from the CCC Scenic Overlook at the park and get a wide-angle shot that wasn't looking up, and thereby distorted. It's not as could as it could be because the brilliantly warm sunrise light had already gone, but I was mainly just testing the setup: ![]() A few minutes can make a big difference in light. This was shot just a few minutes earlier (on a tripod, not on the painters pole): ![]() Labels: Arkansas Photography, travel photography
Monday, August 17, 2009CCC Scenic Overlook at Devil's Den State Park
Over Friday evening and Saturday morning I, together with my art director/stylist/photographer's assistant/wife, shot about a thousand frames in Fayetteville, Arkansas and at Devil's Den State Park. I've been in contact with a major national magazine that needs images of the park, and I needed the same shots for my Arkansas image archive anyway. The park was on my "to do" list since I haven't shot there in a few years. I plan to go back in October when the fal leaves are in peak color was well. It's really an awesome place then.
The overlook shown below at Devil's Den was built by the Civilian Conservation Corps back in the thirties and overlooks the Lee Creek Valley of Devil's Den State Park: ![]() Here I'm going to give an example of blending exposures from multiple shots to achieve the desired final result. It would be impossible in this scenario to capture the exposure properly from the areas inside the structure to the outside landscape and rising sun within a single exposure. Cameras simply don't have that wide of a dynamic range. For the human eye though, it's a piece of cake. Your eye's iris opens and closes and you look from inside to outside and back and forth and you never even notice it. So with my camera on my tripod I took 5 frames at f/22 with my wide-angle zoom lens set at 12mm. The exposures ranged from 1/10 of a second to 1.6 seconds. It makes you appreciate the power of the human eye doesn't it? Starting with the image thumbnails in Adobe Lightroom, I selected all five images and launched the LR/Enfuse plugin to blend the exposure together. This is not normally the technique called "HDR", or high dynamic range, but it is a version of HDR and method of achieving a higher dynamic range. Enfuse is just blending the exposures, something I could do manually myself in Photoshop with layers. I still do blend exposures manually on occasion, but generally though, Enfuse saves time. After Enfuse outputs a TIFF with the blended file, it looks kind of bland. I opened the over-exposed frame as a layer within the image and used it to paint in areas that needed more light and brighter highlights. While Enfuse will lighten the dark areas, the light areas will get darker. In some places you don't want that. The resulting image is below: ![]() Labels: Arkansas Photography, Tutorials
Friday, August 14, 2009Hoodman Loupe on Sale
For a very short time only Adorama has the Hoodman Loupe on sale for $64.95. It's normally $79.95. For me the timing is excellent because I was just about to order one at the full price anyway! Click here
Thursday, August 13, 2009Thalys train at Gare du Nord station, Paris
I love Paris, and I think I get most excited when one of my pictures from Paris is licensed. The picture below is of the Thalys train at the Gare du Nord station in Paris. It was recently licensed for an advertising piece in the U.K. Is it drop-dead stunning? Admittedly no, but it worked for this client likely because of the combination of the clock, train in clear view (bright red at that), and the two travelers in the distance rolling with their luggage. Plus, it leaves a lot of room for text to be overlaid above and below.
![]() A high speed Thalys train at Gare du Nord station, Paris, France. I'll soon be returning to Gare du Nord station when my wife and I take the Eurostar from London to Paris on an upcoming trip. It's officially a vacation and not a business-paid-for photo trip, but of course, I'll be taking tons of pictures as always! This will be my second time to London and fourth time to Paris. I've been doing a lot of mental planning on my shooting strategy. I have a set of subject matter I'm going to focus on that are not so much the top tourist locations: local markets and shops, shopping, etc. I've been fortune to have licensed many images from both London and Paris, but I hope to build more depth to my collection. Choo Choo Labels: Paris, travel photography
Sunday, August 9, 2009Flashing it for $2.00
I was pretty excited last weekend to pick up this old Yashica Pro-50DX flash at a junk store that I visit frequently for only $2.00. I didn't know at the time if it would work, but it was certainly worth the risk. Luckily, it does!
![]() It will make a great off-camera flash for putting a splash of light in places. I'll put velcro on the sides, so I can attach my flash gels to it (See the Rosco Cinegel post.) and use it on portraits, product shots and still-lifes, etc. It's always nice to have more small lights to add in here or there. This little guy packs a punch too! ![]() The flash doesn't have any power settings, but that is easily controlled with some neutral density gels. It has a sync cable that I could tap into, but first I'm going to try an optical slave off of eBay. There are some that ship out of Hong Kong for $10 including shipping which should fire it whenever my other flashes go off. This next find is a piece of plastic trash. It's an all-plastic 35mm film camera. My mom actually got one almost just like this free in the mail once when I was kid. I shot a roll or two with it, but it was useless. The film didn't advance correctly. However, it's actually what I had mind when I went to this junk store recently. I'd seen them there before, and I picked this one up for 50 cents. It's worth less. I offered 25 and they countered at 50. The place actually sells donated items to raise money for charity, so I didn't complain.So what am I going to do with it? Well, I bought it for this one little piece right on the top, the flash shoe: Notice that it unscrews. Not immediately, but someday when I need it, I'll take the flash shoe off and mount it on something so I can place a light where I want it. If I pick up another one someday, I might build my own bracket for mounting two flashes within a softbox.If you have any old flash equipment in your closet that you want to get rid of contact me! Labels: lighting
Saturday, August 8, 2009Moonscape Picture - Grouse Mountain in North Vancouver, B.C., Canada
Landscapes... seascapes... cityscapes...
Mmmm.... I guess this is a moonscape? ![]() Labels: travel photography
Thursday, August 6, 2009Saint Louis Cathedral, New Orleans Pictures
Last December I was in New Orleans for a couple of hours before my cousin's wedding later that day. I didn't have much time to photograph, the weather wasn't great, and my wife and I were giving my family a short tour of New Orleans. Even still, I managed to squeeze in about 15-20 minutes of picture taking around Jackson Square and the Saint Louis Cathedral. It was horrible light really, but every now and then the sun would pop through and light everything up for just a moment.
I've just now gotten around to editing those images, and I came away with several that I'm quite pleased with given the limited time I had. This first one is not a panoramic as far as its dimensions go, but it was actually 7 to 8 different shots that I shot in panorama-like fashion and blended together. This was the best light I had all day, so I shot fast: ![]() Shortly thereafter you can see that the light is already going away with a little dodging and burning I was able to pull a nice frame out of it: ![]() Here I was trying to get a different angle: ![]() I had a number of shots that looked very similar and also very boring and bland. I adjusted these to get them to where I wanted them, something unique and with some variety across the shots: ![]() ![]() ![]() There are a lot of crazy people, with very boring shots, who run around screaming "don't fix it in Photoshop". Why not? I'm not a news reporter. I'm an artist. I create images, both at the point of capture and in the computer. Truth, in this circumstance, is boring and irrelevant. Especially in travel photography, which has nothing whatsoever to do with truth. The RAW files for these next two images were cloudy, dull, and otherwise rejects. I used the clouds to my advantage to add drama. Sorry, that's DRAMA. This doesn't always work. I'm using to my advantage the history of New Orleans itself and its associations with ghosts, Voodoo, scary drunk people, etc. My hope is that these shots will someday be used in a story or book where some dark, menacing New Orleans artwork is needed. ![]() ![]() Labels: travel photography
Tuesday, August 4, 2009Good vs. Evil - Guns, God, and Pictures
I recently added new material to my Good vs. Evil stock photography gallery, a long-term project of mine with much more coming soon.
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